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Master of Professional Writing
  • Female
  • Los Angeles, CA
  • United States
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City, State
Los Angeles, CA
About Me:
USC’s Master of Professional Writing Program (MPW) enables students to develop their craft while working in multiple, highly marketable genres. Our alumni have successful publishing and teaching careers and are working writers for film, television, stage, new media and business having honed their skills in this richly multi-disciplinary environment. MPW students have the advantage of proximity to the entertainment and literary industries of Los Angeles as well as the resources of one of the world’s major research universities.

Founded in 1971, the USC MPW Program occupies a unique place in the writing community. While it fosters the development of an individual voice through craft and workshop classes, it also addresses the writer's capacity to make his or her living through writing after obtaining the degree. The MPW Program acknowledges that the writer is susceptible to economic forces; this degree exposes the student to pragmatic ways to yoke a writer's temperament — word-based, word- making — to existing occupations and emerging forms of publishing and producing, and become an aesthetic citizen.

This, then, is "the MPW advantage":

* A unique interdisciplinary approach uniting five disciplines: fiction, literary non-fiction, poetry, screenwriting, and playwriting. Here writers learn from multiple genres, thereby developing depth in their writing. For example, a writer for television draws upon playwriting expertise; a fiction writer learns about compression of language and the efficacy of word selection from a poetic techniques workshop; a screenwriter writes a better-timed comedy scene after analyzing a short story. In MPW, students also often discover passion for new forms of creative outlet, becoming more versatile — and employable — writers.
* Proximity to Los Angeles' entertainment and literary industries. MPW alumni, faculty, and students are at the heart of the LA literary scene.
* Guest lectures by important industry figures, arranged by MPW faculty, who themselves are working, established writers.
* One-on-one mentorship by working writers. Despite their busy professional commitments, MPW faculty members work closely with students.
* Small, collaborative workshop settings. Most of our classes are held late in the afternoon and evening to accommodate the working professional.
* Career guidance, including contact with successful MPW alumni, and a proven track record of launching writing careers.

On behalf of the MPW Program team, I invite you to become part of the "MPW experience." To apply, to attend one of our upcoming events, or to get more information, please contact us at mpw@college.usc.edu
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All are welcome!
Website:
http://college.usc.edu/mpw/

MPW Events - Fall 2009


Author Visit: Danzy Senna
Monday, October 12, 7 pm – 8:30 pm
Leavey Library Auditorium

Danzy Senna was born in Boston, Massachusetts and is the daughter of the author Carl Senna (The Black Press and the Struggle for Civil Rights) an Afro-Mexican poet from a struggling single-parent household, and Fanny Howe, an Irish-American poet and novelist born into privilege. They met and married while both were activists during the American Civil Rights Movement (1955-1968). Senna received her B.A. from Stanford University and MFA in creative writing from the University of California, Irvine, where she received several creative writing awards. Her first novel, Caucasia (1998), received the Book-of-the-Month Stephen Crane Award for First Fiction. It also received the Alex Award , American Library Association and has received praise from The New York Times and Newsweek, the former calling it “haunting and deeply intelligent...” and the latter describing its “...impressive beauty and power”. Senna’s latest work is a memoir entitled Where Did You Sleep Last Night?: A Personal History (2009). In the book, she reconstructs a long-buried family mystery that illuminates her own childhood, her enigmatic father, the power and failure of her parents’ union and, finally, the forces of history. Senna lives in Los Angeles with husband, novelist Percival Everett.

RSVP: mpw@college.usc.edu


Critics Talk Shop: Writing Books, Music, Food, Film, and Why it Matters Intellectual -- With Kenneth Turan, LA Times Film Critic; David Ulin, LA Times Book Editor; Jonathan Gold, LA Weekly’s Restaurant Critic; and Evelyn McDonnell, Music Critic. Organized and moderated by Dinah Lenney, MPW
Monday, October 26, 7 pm – 9 pm
Commons, Doheny Library

Jonathan Gold is the LA Weekly’s restaurant critic and the author of "Counter Intelligence: Where to Eat in the Real Los Angeles." He has been restaurant critic for California, the Los Angeles Times, and Gourmet, where he was the first food writer ever to be nominated for a general national award in criticism, and he has won James Beard Awards for both magazine and newspaper restaurant reviews. In 2007 he became the first food writer to win a Pulitzer Prize for criticism.

Evelyn McDonnell has been writing about popular culture and society for more than 20 years. She is the author of three books: Mamarama: A Memoir of Sex, Kids and Rock ‘n’ Roll, Army of She: Icelandic, Iconoclastic, Irrepressible Bjork and Rent by Jonathan Larson. She coedited the anthologies Rock She Wrote: Women Write About Rock, Pop and Rap and Stars Don’t Stand Still in the Sky: Music and Myth. She has won several fellowships and awards, including an Annenberg Fellowship at USC.

David Ulin is the book editor for the Los Angeles Times and author of 2004’s The Myth of Solid Ground: Earthquakes, Prediction, and the Fault Line Between Reason and Faith. He received a California Book Award for editing Writing Los Angeles: A Literary Anthology. Ulin’s essays have been featured in The New York Times Book Review, The Nation and The Atlantic Monthly. Ulin taught in the Creative Writing Program at Antioch College and will teach a workshop on Reviewing at the USC’s MPW in the spring of 2010.

Kenneth Turan is film critic for the Los Angeles Times and National Public Radio’s “Morning Edition” and the director of the Times’ Book Prizes. A graduate of Swarthmore College and Columbia University’s Graduate School of Journalism, he has been the Times’ book review editor and a staff writer for the Washington Post and TV Guide. He is the author of Never Coming To A Theater Near You and Now In Theaters Everywhere published by Public Affairs Press and is coauthor of Call Me Anna: The Autobiography of Patty Duke. His latest book is Free For All: Joe Papp, the Public and the Greatest Theater Story Ever Told. Turan teaches in the Master of Professional Writing Program at USC and is on the board of directors of the National Yiddish Book Center.

RSVP: mpw@college.usc.edu


Writing for Stage and Screen: T.V./Playwriting
Monday, November 30, 7 pm – 9 pm
Intellectual Commons, Doheny Library

This panel of television writers will talk about their experiences writing for cable as well as network television. The venues they represent include the sociopolitical, the astutely comic, the historical, as well as medical and police dramas; many of them have theatre backgrounds; all of them are reaching an audience. Participants will include Michael Price (THE SIMPSONS) Regina Corrado (DEADWOOD), Julie Hebert (E.R. and NUMB3RS) and Alexander Woo (TRUE BLOOD).

RSVP: mpw@college.usc.edu


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